for our new project we are creating a manifesto for our creatures, a set of beliefs and ideas which they all believe in ...
As we are the udders and all female we've gone for a very femenist slant, i think our plan is to create a kind of udder revolution.. which basicly calls for the love adoration and celebration of all things breast related.. as these are our symbol of woman kind...
ive been reading the 'history of breasts' a bloody brilliant book i highly recomend even if one has not a set of breasts themselves..
ive been researching all female communes.. such as the wilds where they tried to get rid of patriarchy and shared the daily tasks of washing cleaning cooking amongst each other in the 80's. They were wicked and from all my research it seems that the children born within them have an overall positive feeling towards it which is more than can be said of most communes.
also looking at famous breasts... marilyn monroe etc
annnd no looking at a feminist society would be complete without looking at simone de beavoir
Thursday 25 February 2010
Monday 22 February 2010
Dorothy parker
niki saint phalle
Thursday 11 February 2010
The museum of everything
After hearing loads about it and one attempted but failed mission i have finally been to the museum of everything. it is amazing, everyone must go there and take all there family. its a brilliant gallery.. all the artists shown are those 'outside' or the art world. Every artists you looked at had a story that was haunted with insanity or depravity. Hauser Johann was admitted to a mental hospital really young. he wasnt taught to read or write untill he started drawing in his 20s. He likes to drawn highly sexualised images with demonised women and lots of bright colour.
Judith Scott was another artists i looked at in there.. she was born death, with down syndrome and so consiquently was almost compeletly isolated from outside influence. her works are brilliant sculptures bound in string and woold that she found. they are all individual and equally as abstract. ..
Monday 1 February 2010
David Ichioka
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